Self portrait (1925) by Laurence Stephen Lowry (1887 - 1976), English artist.
Huddersfield (a town in West Yorkshire, England) (1965) by Laurence Stephen Lowry (1887 - 1976), English artist.
Birthday flowers.
Love, We Must Part Now by Philip Arthur Larkin (1922 - 1985)
Love, we must part now: do not let it be Calamitious and bitter. In the past There has been too much moonlight and self-pity: Let us have done with it: for now at last Never has sun more boldly paced the sky, Never were hearts more eager to be free, To kick down worlds, lash forests; you and I No longer hold them; we are husks, that see The grain going forward to a different use.
There is regret. Always, there is regret. But it is better that our lives unloose, As two tall ships, wind-mastered, wet with light, Break from an estuary with their courses set, And waving part, and waving drop from sight.
The Canal Bridge (1949) by Laurence Stephen Lowry (1887 - 1976), English artist
Going to Work (1943) by Laurence Stephen Lowry (1887 - 1976), English artist
Athenaeum Club, London, England <en.wikipedia.org/wiki/Athe…>
Founder's Building, Royal Holloway, University of London
The Founder’s Building is the original building of Royal Holloway College, University of London (RHUL), in Egham, Surrey, England. It is an example of French-Renaissance-style architecture in the United Kingdom, having been modelled on French chateaus such as Château de Chambord.
Test message 2, please ignore
Test message, please ignore
Family Group (1958) by Laurence Stephen Lowry (1887 - 1976), English artist
We all wear masks
Today I’m reading ‘Nobody wants to read your sh*t by @spressfield <stevenpressfield.com/books/nob…>
‘Nobody wants to read your sh*t’
Today I’m reading ‘Nobody wants to read your sh*t’ by @spressfield
<stevenpressfield.com/books/nob…>
Francis Street, Salford (England) (1957) by Laurence Stephen Lowry (1887 - 1976), English artist
Man Lying on a Wall (1957) by Laurence Stephen Lowry (1887 - 1976), English artist
Breadfruit by Philip Arthur Larkin (1922 - 1985)
Boys dream of native girls who bring breadfruit, Whatever they are, As bribes to teach them how to execute Sixteen sexual positions on the sand; This makes them join (the boys) the tennis club, Jive at the Mecca, use deodorants, and On Saturdays squire ex-schoolgirls to the pub By private car.
Such uncorrected visions end in church Or registrar:
A mortgaged semi- with a silver birch; Nippers; the widowed mum; having to scheme With money; illness; age. So absolute Maturity falls, when old men sit and dream Of naked native girls who bring breadfruit Whatever they are.
Piccadilly Gardens (Manchester, England) (1954), by Laurence Stephen Lowry (1887 - 1976), English artist
Going to the match (1928) by Laurence Stephen Lowry (1887 - 1976), English artist
Coming Home from the Mill (1928) by Laurence Stephen Lowry (1887 - 1976), English artist
