Dockery and son (from Whitsun Weddings) by Philip Arthur Larkin (1922 - 1985)

‘Dockery was junior to you, Wasn’t he?’ said the Dean. ‘His son’s here now.’ Death-suited, visitant, I nod. ‘And do You keep in touch with—’ Or remember how Black-gowned, unbreakfasted, and still half-tight We used to stand before that desk, to give ‘Our version’ of ‘these incidents last night’? I try the door of where I used to live:

Locked. The lawn spreads dazzlingly wide. A known bell chimes. I catch my train, ignored. Canal and clouds and colleges subside Slowly from view. But Dockery, good Lord, Anyone up today must have been born In ’43, when I was twenty-one. If he was younger, did he get this son At nineteen, twenty? Was he that withdrawn

High-collared public-schoolboy, sharing rooms With Cartwright who was killed? Well, it just shows How much … How little … Yawning, I suppose I fell asleep, waking at the fumes And furnace-glares of Sheffield, where I changed, And ate an awful pie, and walked along The platform to its end to see the ranged Joining and parting lines reflect a strong

Unhindered moon. To have no son, no wife, No house or land still seemed quite natural. Only a numbness registered the shock Of finding out how much had gone of life, How widely from the others. Dockery, now: Only nineteen, he must have taken stock Of what he wanted, and been capable Of … No, that’s not the difference: rather, how

Convinced he was he should be added to! Why did he think adding meant increase? To me it was dilution. Where do these Innate assumptions come from? Not from what We think truest, or most want to do: Those warp tight-shut, like doors. They’re more a style Our lives bring with them: habit for a while, Suddenly they harden into all we’ve got

And how we got it; looked back on, they rear Like sand-clouds, thick and close, embodying For Dockery a son, for me nothing, Nothing with all a son’s harsh patronage. Life is first boredom, then fear. Whether or not we use it, it goes, And leaves what something hidden from us chose, And age, and then the only end of age.

Aubade (from Collected Poems) by Philip Arthur Larkin (1922 - 1985)

I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what’s really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify.

The mind blanks at the glare. Not in remorse —The good not done, the love not given, time Torn off unused—nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true.

This is a special way of being afraid No trick dispels. Religion used to try, That vast moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear—no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anaesthetic from which none come round.

And so it stays just on the edge of vision, A small unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can’t escape, Yet can’t accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.

‘Do not believe what you want to believe until you know what you need to know’

Vers de Société (from Collected Poems) by Philip Arthur Larkin (1922 - 1985)

My wife and I have asked a crowd of craps To come and waste their time and ours: perhaps You’d care to join us? In a pig’s arse, friend. Day comes to an end. The gas fire breathes, the trees are darkly swayed. And so Dear Warlock-Williams: I’m afraid—

Funny how hard it is to be alone. I could spend half my evenings, if I wanted, Holding a glass of washing sherry, canted Over to catch the drivel of some bitch Who’s read nothing but Which; Just think of all the spare time that has flown

Straight into nothingness by being filled With forks and faces, rather than repaid Under a lamp, hearing the noise of wind, And looking out to see the moon thinned To an air-sharpened blade. A life, and yet how sternly it’s instilled

All solitude is selfish. No one now Believes the hermit with his gown and dish Talking to God (who’s gone too); the big wish Is to have people nice to you, which means Doing it back somehow. Virtue is social. Are, then, these routines

Playing at goodness, like going to church? Something that bores us, something we don’t do well (Asking that ass about his fool research) But try to feel, because, however crudely, It shows us what should be? Too subtle, that. Too decent, too. Oh hell,

Only the young can be alone freely. The time is shorter now for company, And sitting by a lamp more often brings Not peace, but other things. Beyond the light stand failure and remorse Whispering Dear Warlock-Williams: Why, of course—

Today I’m mostly thinking about the dynamics and semantics of security.

Aubade (from Collected Poems) by Philip Arthur Larkin (1922 - 1985)

I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what’s really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify.

The mind blanks at the glare. Not in remorse
—The good not done, the love not given, time
Torn off unused—nor wretchedly because
An only life can take so long to climb Clear of its wrong beginnings, and may never;
But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here,
Not to be anywhere, And soon; nothing more terrible, nothing more true.

This is a special way of being afraid No trick dispels. Religion used to try, That vast moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear—no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with, The anaesthetic from which none come round.

And so it stays just on the edge of vision,
A small unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out In furnace-fear when we are caught without
People or drink. Courage is no good: It means not scaring others. Being brave
Lets no one off the grave. Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can’t escape,
Yet can’t accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.

Vers de Société (from Collected Poems) by Philip Arthur Larkin (1922 - 1985)

My wife and I have asked a crowd of craps To come and waste their time and ours: perhaps
You’d care to join us? In a pig’s arse, friend.
Day comes to an end. The gas fire breathes, the trees are darkly swayed.
And so Dear Warlock-Williams: I’m afraid—

Funny how hard it is to be alone. I could spend half my evenings, if I wanted,
Holding a glass of washing sherry, canted
Over to catch the drivel of some bitch
Who’s read nothing but Which; Just think of all the spare time that has flown

Straight into nothingness by being filled
With forks and faces, rather than repaid
Under a lamp, hearing the noise of wind,
And looking out to see the moon thinned
To an air-sharpened blade. A life, and yet how sternly it’s instilled

All solitude is selfish. No one now Believes the hermit with his gown and dish
Talking to God (who’s gone too); the big wish
Is to have people nice to you, which means
Doing it back somehow. Virtue is social. Are, then, these routines

Playing at goodness, like going to church? Something that bores us, something we don’t do well
(Asking that ass about his fool research)
But try to feel, because, however crudely,
It shows us what should be? Too subtle, that. Too decent, too. Oh hell,

Only the young can be alone freely. The time is shorter now for company, And sitting by a lamp more often brings Not peace, but other things. Beyond the light stand failure and remorse
Whispering Dear Warlock-Williams: Why, of course—

A feathered friend

a lorikeet in a tree.

Disinfect with alcohol

“If prospective consultants are using to many buzzwords and phrases that you’ve seen or heard a lot already (“You should move to an event-driven customer-centric loosely-coupled bi-modal big data micro-services cloud architecture and you should liberate your data!”), they’re peddling simplistic silver bullets to the unawares (i.e. you). Play a game of buzzword bingo, then politely show them the way out. Disinfect with alcohol.”

from Is Your Consultant a Parasite? by @RnA_EA

What is Cyber Security?

We should explore the idea of cybersecurity. I mean, someone, somewhere is reading this and asking, “What is cybersecurity?” The subject hasn’t done itself any service by changing names frequently, overspecialising and spawning new titles, and exchanging names without changing concepts. Information security, information assurance, data security, cyber, cybersecurity, and so forth. I suggest we take cybersecurity broadly and let the term include all of the above as well as any other concepts related to the security of cybernetic systems as well as cyberspace itself.

What is requisite variety?

Practically, it says that in order to deal properly with the diversity of problems the world throws at you, you need to have a repertoire of responses which is (at least) as nuanced as the problems you face.

Ross Ashby, a pioneer British cyberneticist and psychiatrist, formulated his law of requisite variety in the context of regulation in biology — how organisms are able to adapt to their environment — and then, in quick succession, to aspects of Claude Shannon’s information theorem, and systems in general. Such interdisciplinary bridges were characteristic of the cybernetic approach. Stafford Beer extended the concept to help analyse the structure and management of organisations and whole societies.

Sad Steps (from Collected Poems) by Philip Arthur Larkin (1922 - 1985)

Groping back to bed after a piss I part thick curtains, and am startled by
The rapid clouds, the moon’s cleanliness.

Four o’clock: wedge-shadowed gardens lie
Under a cavernous, a wind-picked sky.
There’s something laughable about this,

The way the moon dashes through clouds that blow
Loosely as cannon-smoke to stand apart
(Stone-coloured light sharpening the roofs below)

High and preposterous and separate—
Lozenge of love! Medallion of art! O wolves of memory! Immensements! No,

One shivers slightly, looking up there. The hardness and the brightness and the plain
Far-reaching singleness of that wide stare

Is a reminder of the strength and pain
Of being young; that it can’t come again,
But is for others undiminished somewhere.

Today I’ve been mostly reading this….

10/10 for intention. 0/10 for execution.

Ison and Straw start from the observation that our governance systems are not up to the task

“Outdated, uber-complex, ineffective, unresponsive, unreflexive, unaccountable, captive to private interests, and hollowed out by preferential lobbying. These failings have unacceptable consequences, particularly in an age in which climate change risks to push us into ‘hot’ zones of our O-space.”

<philippevandenbroeck.medium.com/ray-ison-…>

“The major problems in the world are the result of the difference between how nature works and how people think.” Gregory Bateson (1904 - 1980)

Even the most exciting project becomes a chore when it is smothered by the constant brain noise known as tinnitus.

The Mower (from Collected Poems) by Philip Arthur Larkin (1922 - 1985)

The mower stalled, twice; kneeling, I found
A hedgehog jammed up against the blades,
Killed. It had been in the long grass.

I had seen it before, and even fed it, once.
Now I had mauled its unobtrusive world
Unmendably. Burial was no help:

Next morning I got up and it did not. The first day after a death, the new absence
Is always the same; we should be careful

Of each other, we should be kind
While there is still time.

High Windows (from Collected Poems) by Philip Arthur Larkin (1922 - 1985)

When I see a couple of kids And guess he’s fucking her and she’s
Taking pills or wearing a diaphragm,
I know this is paradise

Everyone old has dreamed of all their lives—
Bonds and gestures pushed to one side Like an outdated combine harvester, And everyone young going down the long slide

To happiness, endlessly. I wonder if
Anyone looked at me, forty years back,
And thought, That’ll be the life; No God any more, or sweating in the dark

About hell and that, or having to hide
What you think of the priest. He And his lot will all go down the long slide
Like free bloody birds. And immediately

Rather than words comes the thought of high windows:
The sun-comprehending glass, And beyond it, the deep blue air, that shows Nothing, and is nowhere, and is endless.